L2 Stereo Vst

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For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time. • Manual and ARC™ Automatic Release Control • IDR™ Increased Digital Resolution with double precision • bit re-quantization and dither with 9th-order noise shaping filter • Double precision bit resolution processing • Up to 24bit 192kHz resolution • Mono and Stereo components. PC • Windows 7 (SP 64 bit) / Windows 8.1 (64 bit) / Windows 10 (64 bit) • Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core • 8 GB Ram • Host Programm required: VST, AAX native, 64-bit, or SoundGrid System • Please check for details and latest information!!! Mac • Mac OS Sierra 10.12.4 • Intel Core i5 / i7 / Xeon • 8 GB Ram • Host Programm required: Audiosuite, VST, AAX native, 64-bit, or SoundGrid System • Please check for details and latest information!!!

“ The L2 Ultramaximizer has quickly become my choice for stereo bus compression; it seems to have just the right amount of ‘glue’ to make the overall track sound punchy, but not too ‘mashed’ as to be oversaturated and sucked of life.

Demo version 7 days demo licenses are available (registration and activation required!) Bundle / Product Content All Plug-Ins, Collections and Bundles include the identical content/version as described on. As the content/version might be extended by the supplier from time to time, our descriptions might not be up to date in rare cases.

Product activation: An internet connection is required to authorize / activate the product (Challenge/Response).

Waves has never followed the pack. The typical route of developing plug-ins that are straight copies of vintage hardware units just isn't this company's style. So, instead, the company has designed a product that resulted from software that was developed into hardware, and then turned back into software again. The L2 plug-in fulfills a niche market; it's for Pro Tools TDM-based mastering and recording engineers who want the sound of the L2 without the inconvenience of installing a new piece of outboard gear. L1, MEET L2 The differences between the L1 and L2 plug-ins are subtle but important. The two plug-ins look strikingly similar at first glance, though the L1 is light gray and the L2 has a dark gray face. The L1 comes in a wide variety of plug-in formats, from the most popular native ones to TDM.

The L2 is only available in the TDM format. The L1 has some controls that are missing from the L2.

The L2 doesn't have integrated stereo input level faders. However, lacking this control is not a big deal if you're using the L2 by itself, because you can use the fader on the channel where the L2 is inserted for an attenuation.

But when the L2 falls after several other inserts (such as post-EQ and a de-esser), the lack of attenuation control on the plug-in itself can be a pain. Changing the channel's fader level in such a situation affects not only how you are hitting the L2, but all the other effects, as well.